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Good as Gold: Fashioning Senegalese Women

Start Date 24 October 2018
End Date 02 February 2020
Venue Smithsonian National Museum of African Art
Location Washington, D.C., USA
Curator Amanda M. Maples
Exhibition display of jewelry in case
Exhibition display of jewelry in case
Exhibition display of jewelry in case
Senegalese women still possess an unrivaled flair for displaying clothing, jewelry, and other finery. Or de Galam is still the byword for quality and purity.
George E. Brooks, emeritus professor of history, Indiana University, Bloomington

Jewelry acts. For urban women in Senegal, jewelry is more than a showy trinket or decoration. It has long been a means for fashioning a cosmopolitan identity of power and prestige. Adhering to the Wolof concept and practice of sañse—dressing up, looking and feeling good—a woman in a place like Dakar, for example, selects specific gold jewelry to assemble a carefully tailored, elegant fashion ensemble.

The artworks in Good as Gold can be understood not in the fragmentary state in which we see them here, but as part of a broader constellation of identity, nationhood, politics, wealth, and individual taste. Fundamental to larger social and economic processes that are constantly changing, gold jewelry can reveal deeper histories and practices in Senegalese life, particularly for the women who commission, buy, wear, and remake them. These expressions contribute to an ongoing international dialogue that pulls from deep roots in a rich regional history. Sañse, then, is the whole ensemble—a totality that takes into consideration a network of interconnected meanings and associations, both local and global, that is driven by women.

Good as Gold, grounded in the research and collection of art historian Marian Ashby Johnson, is the first in-depth exhibition to explore the history of Senegal’s gold, from past to present, and the beauty and complexity of the way Senegalese women present themselves.

Exhibition booklet

Exhibition Website


Smithsonian National Museum of African Art, Washington D.C., USA, 24 October 2018 – 02 February 2020
North Carolina Museum of Art, North Carolina, USA, 09 September 2020 – 03 January 2021

Good as Gold- Fashioning Senegalese Women, October 24, 2018 – January 3, 2021

Installation photographs by Brad Simpson, 2018

National Museum of African Art

Smithsonian Institution