A Response to Fashion as Encounters at State of Fashion Biennale, NL 2022, curated by Not Enough__________Collective. By Caroline Stevenson
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Togethering emerges through conversations based in mutual friendship, commonalities, affinities and exchange.
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Togethering names an impulse within contemporary fashion culture to challenge the neoliberal agenda of the creative individual through the plurality of the collective.
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Togethering finds criticality in situated curatorial practice. Context is its impetus.
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Togethering is gloriously and wonderfully heterarchical.
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Togethering is a verb; an imperfect and iterative process. Sometimes it is short-lived, sometimes it lasts forever.
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Togethering reinvents itself with every new project. It is an anthology of modalities.
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Togethering creates curatorial situations that challenge the organisational principles of the fashion system. It is a political, material and theoretical practice that gives public form to fashion’s relational properties.
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Togethering embraces the potential in fashion’s porosity.
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Togethering operates in the margins, while being critically aware of the centre.
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Togethering is more than a set of professional protocols related to the display of objects. It gathers all aspects of exhibition making into its folds creating rupture in the narratives of fashion history.
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Togethering makes visible that which was latent.